I’ve just finished reading Beautiful Souls: Saying No, Breaking Ranks, and Heeding the Voice of Conscience in Dark Times, by Eyal Press (Farrar, Straus and Giroux, 2012). This book shares the stories of several people in different times and different walks of life who demonstrated moral courage at great risk: a Swiss border officer who defied the law to help Jews flee from Nazi oppression; a Serb soldier who “identified” Croat prisoners as Serbian to save them from genocide; an Israeli soldier refusing to serve in the Occupied Territories; a financial adviser blowing the whistle on a Ponzi scheme that was bilking thousands of investors of their life savings; a U.S. military prosecutor questioning the treatment of Muslim POWs at Guantanamo Bay. Press interviewed all of these people, trying to dig to the bottom of what causes “ordinary” people to make decisions that turn them into rebels, renegades or outliers. It’s fascinating reading, although somewhat disconcerting. Although Hollywood would have us believe that the moral hero rides into the sunset to the sounds of a grand and inspiring soundtrack, none of these actual moral heroes obeyed their conscience without paying a heavy price.
You can read more about Edith Cavell here on the website dedicated to her memory.
In my 25 years of writing books for children and teens, I’ve had my share of plot problems. Often, when a writer finds she has written her characters into a situation she can’t quite get them out of, she is tempted by (but must resist!) the deus ex machina solution. This literary term (literally “the god from the machine”) comes to us from ancient Greek drama, and refers to the device of lowering a statue of a god onto the stage to resolve a crisis. Evidently this was perfectly satisfactory to the ancient Greeks, but it is far from satisfactory for us today. When the hero or heroine of a drama gets bailed out of a tricky situation by some unforeseen and improbable stroke of luck, the reader is left feeling cheated. There was no clever resourcefulness, physical skill or moral courage at work to save the day, just a lousy old deus ex machina. “Oh come on, really?” the reader asks. “How convenient.”
A recent article in the New York Times, “The Neuroscience of Your Brain on Fiction” cited current research on what happens when we read (or listen to) fictional narratives. You may recall I wrote an article back in December in a similar vein, This Is your Brain on Stories. Again, it has been shown through fMRI scanning that reading words associated with sensory or motor activities stimulates not just the regions in the brain that are related to language processing, but to the specific sensory or motor activities being referenced. Stories thus act as simulations of activities or events, giving us the chance to live an experience we haven’t yet had. Scientists also speculate that lots of experience with fiction, with its rich metaphors and descriptions and exploration of character’s thoughts and emotions, helps to develop “theory of mind.” This is what helps us imagine what might be going on in someone else’s head, and gives us clues about how to proceed in social interactions.
The article does specifically mention how this affects children:
A 2010 study by Dr. Mar found a similar result in preschool-age children: the more stories they had read to them, the keener their theory of mind — an effect that was also produced by watching movies but, curiously, not by watching television. (Dr. Mar has conjectured that because children often watch TV alone, but go to the movies with their parents, they may experience more “parent-children conversations about mental states” when it comes to films.)
Cited in the article is Keith Oatley, an emeritus professor (University of Toronto) in cognitive psychology with a special interest in fiction and narrative. In this article in Greater Good magazine, Oatley describes findings of some of his research and research by colleagues. Reading fiction – stories – promotes greater social abilities, abilities that help us to understand the emotions and motivations of others. Additionally, reading (or listening to) stories produces measurable increases in empathy, which is a foundation of moral development, and thus moral courage.
So, can I interest you in a tale or two?
Physical courage, which despises all danger, will make a man brave in one way; and moral courage, which despises all opinion, will make a man brave in another. ~ Charles Caleb Colton
I’ve offered a lot of traditional stories on Lion’s Whiskers over the last several months. How many of you are telling them to your kids? Maybe not a lot of you, and that’s okay! But I hope you have gathered something from these stories. What I hope you have picked up on is this: around the world, in every culture, people have been telling stories not simply for entertainment, but for creating metaphors for understanding their world. I also hope I can persuade you that some form of storytelling – whether with traditional narratives or your own “When I was a kid” yarns – can be a powerful parenting tool, and may help your kids to develop the six types of courage.
I don’t know if this is happening or not. I can share an anecdote from my teaching experience, however. For many years I have visited schools around the U.S. as a guest author, often giving writing and researching workshops as part of my visit. On one such trip to a Texas middle school I tried to demonstrate to the students how I interpret historical photographs, extrapolating information from the observable details. What met this lesson was an almost complete inability – or unwillingness – to hazard a guess, to propose a possible interpretation, to reason from the evidence. Repeated urging got me nowhere. “Do you see leaves on the trees in the photograph? No? So do you think this picture was taken in the summer? Do the people appear to you to be warmly dressed? Are they engaged in leisurely activities or do they appear to be under any stress?” Later, over lunch with the librarian who had invited me, I asked her about the students’ stifled response. “They won’t guess,” she said. “They don’t like to make inferences. They won’t draw conclusions in case they are wrong.” I have shared this anecdote with other librarians and teachers around the country, and been told it did not surprise them.
Dear reader, if you have a strong rebuttal to my proposition, please share. I’d like to be proven wrong.
]]>Here at Lion’s Whiskers we are hoping to collect kids’ definitions for some of the values most commonly associated with moral courage.
We would appreciate your help!
“To know what is right and not do it is the worst cowardice. ”
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